A0389: How is information stored in crystals? – Part 12
If you want to connect with the crystal, then you do not have to first perceive the building that represents this access, but the intention to connect with its crystal is sufficient. If you cannot visualize so well at the moment, then do it like the writer, he concentrates as far as he can perceive forms, but his visualization ability does not yet allow to perceive complex things as a whole. That’s why the writer relies on his own method again. He has taken an object that he can imagine reasonably well and he determines that this object is the door to his crystal. Since your thoughts reflect your reality, so it is.
Funnily enough, his object is the physical crystal, so that he imagines his crystal in which he then immerses himself mentally. Since his consciousness knows this connection between the door and the crystal, everything will also happen that way. Your thoughts will create everything as you are able to imagine it. If someone thinks that they are not that creative, then we will now introduce some methods that can simplify working with a crystal, but which you can change as you wish because there are no limits to your creativity.
You can create everything and you never have to use a method in the same way, because in the end it is only a creative thought that implements your ideas and the tips and advice should only be a guide to you on how you can manage this creative thought spontaneously to let arise, because that is your biggest obstacle at the moment. When you breathe, you are not consciously thinking about breathing, but the reflex or, to put it another way, the automatism is represented in you that you breathe unconsciously. If you project this procedure onto the creative thought, then you are currently thinking far too much about creating, but you do not need to think about it at all, because this happens automatically, you only have to worry about the result, not how it comes about . If you focus on seeing the building and focus on it, then you are not free to take the next step, which is into the crystal. If you direct your focus on the crystal and just think that you are already present in this crystal, then so be it. The building is a help to use your power of thought to enter the crystal. If you use this thought power to be already in the crystal, then it will happen. You then simply assumed that everything was already like that, you appeared where you wanted to go without distracting thoughts.
If you are not yet able to visualize well, then it is better to simply establish the connection to the crystal by deciding to be present in the crystal now. Your consciousness will ensure that it happens that way.
When you prepared the crystal so that you can use it now, your master devised this building to give you a familiar look. People who can already visualize quite well will recognize this building in great detail and we tell you, it is not just a building as you know it from earth, but it reflects a magnificent building that you can hardly believe it. There are so many details to be seen on the facade that it will take your breath away. You will see a lot of gold because gold really has a calming influence on people, which we would like to address separately. When you go into the building, you will perceive a lot more, so that we say, you cannot stop being amazed. If you neither perceive this magnificent building as what we have just described, nor can you see everything in the building so magnificently, then you will always perceive sub-areas that appear so that with more practice you will get better and better at them to recognize the magnificent building for what it actually is. Your master created this magnificent building and he is very talented in creating forms, because that is exactly what a spiritual being does, it is constantly creating forms and many beings perfect it over time.
You are only just beginning, at least now you want to consciously create shapes, but for this it is not necessary at all that you have a good visual representation ability, but you can already practice the moment you close your eyes. What do we mean by that, we ask? You want to create sustainable forms in your crystal so that this form is stored in your crystal. But you must first know how you can create permanent forms and you also want to perceive them for what they are. These are two factors that seem to be a hindrance, but we tell you it’s very easy to practice and one automatically leads to the other. If you practice visualizing first, you will automatically practice creating forms and vice versa. It is not that you have to be able to visualize very well in order to then learn to create, but both are the same.
If you can already visualize now, then you are also creating forms at the same time and so it is the other way around. There is a difference between creating and just visualizing, because you could also just visualize without actively creating. Let’s take the writer again as an example, although he has forbidden us to use him when we cite these examples, but here his approach is so predestined that we were able to get him to agree.
The writer really does a lot when he visualizes, but he is not particularly good at it at the moment, so that he has always thought up new ways to increase the ability again. For example, he does the following: when he goes to bed, he always does so earlier than necessary because he then takes time to develop his skills.
The first thing he does is the following: He asks us to see to it that he does not fall asleep for the next hour.
Second, he asks us to show him pictures and scenes that he would like to marvel at. For a while the following request was very popular with the writer.
“Please show me human-like extraterrestrial beings that are at least technologically up to date”.
This is always the time of a master when his heart literally beats faster, because now we are allowed to do something that we really enjoy and in which we have the entire focus of the protégé. All factors have been clarified, we have been given a precise task in which we know that the writer devotes all his attention to being able to perceive visualized images and moments. When we create something for a protégé on the dream or meditation stage, the protégé usually does not know what all this is supposed to mean, but the writer is absolutely aware of what is coming next. This procedure can be practiced by any person and all masters will organize festivals, so to speak, because both parties consciously work together for the first time and the more precisely you formulate your wish, the better the result will be.
When the writer is in bed, we will help him not to fall asleep for an hour because this was his first wish. Whenever we realize that his attention is drifting away and he goes into a sleep phase, then we have the opportunity to get him out of there again. We then always organize something that makes the writer smile again and again. We will cause parts of his body to perform a small but effective movement, this can be a finger or a whole leg. The movement brings the writer back, so to speak, although none of this is described realistically, but it will appear that way for you and we will clarify this issue later. The attention is back again, but he is still in a meditative state where he is still consciously aware of something, but can drift away at any time to fall asleep.
This state that the body and consciousness assume is a very special one and many of your leading figures make a big fuss about it, because they not only give this state strange names, but they claim for themselves how someone gets into this state and how him then has to proceed in order to be able to interpret this state correctly. Once again the writer goes his own way, even if he has not noticed it that way at all. This state is always compared with the so-called intermediate world and everyone is there at least once or twice a day, only most people do not notice it.
If you practice it in this way, then you delay the area of so-called drifting further and further and you perceive this intermediate world more and more consciously, which is nothing other than the dream and meditation stage on the astral level, on which the partial consciousness of the sixth energy body is represented is. Your intermediate world is the conscious perception of an astral level on which you can be creative.
Let us come back to the example of the writer. He used to practice it a lot in the past and we were able to show him many alien life forms. He was often surprised at how diverse human life forms alone can appear, but the writer also discovered something that bothered him immensely. Although he was not aware of the connections at the time, he quickly noticed that he had also changed our moments, which we saw as he did. Whenever we showed human life forms that looked less and less human, the perceived “image” became inconsistent and transformed so that it did not appear clear and, according to the writer, was no longer shown in UltraHD resolution. This had nothing to do with the fact that we were not able to represent the information in the same way, but the writer’s consciousness became creative and began to transform our information. We let this happen to teach the writer that his expectations have an influence on the information. We can also equip the information with a strong holding energy so that it is constant, but then the writer would never have achieved the knowledge that is so strongly represented in him today. His consciousness changed our creation because his thought power was stronger than the holding energy that we gave to our creation.
If your masters show you pictures and moments, then they will equip their creations sometimes more and sometimes with less holding energy, so that you learn what that means and how you manage to reduce your expectations so that you are not unconsciously creative. This process is practiced with you over and over again so that you are in your right mind, so to speak, when you consciously create your creations. The clearer the mind appears, the greater the holding energy can turn out, which is responsible for the constancy of your creations. Try the writer’s method and be surprised, you will “see” a lot if you try.
Our other advice could be to get rid of everything that is important to you, because only then can you really think clearly. What do we mean by that, we ask? If you pile up a lot of important things around you, you will keep thinking about them because they seem so important. If you have a problem, your thoughts are constantly revolving around that problem. It is the same with the apparently important things because, strictly speaking, they represent problems that keep you thinking about them all the time. Imagine you love good, or rather, expensive clothes. Then you will not only spend great financial resources on knowing these important clothes around you, but you will also constantly think about them and everything that goes with them.
How do I look in it? What may others think of my clothes? What do others look like and what do they actually wear? We could list more questions forever, and the people who care about clothes actually have a seemingly never-ending list of questions about clothes that they are constantly working on because this dress problem is seemingly very important. Should such a person try to meditate, these seemingly important things will be constantly present because they are problems that need to be solved. The so-called human mind cannot have clear thoughts at all because this clothing problem must be solved imperatively. Everything that this person could perceive in a meditation has to do with their problem and that would mostly be the dress problem. If you are such a person who apparently wants to know important things about you, then you should first think about whether it is actually necessary that these things need so much computing power or whether you reconsider your attitude to them and these “problems” on solve one way or another so that you can again have clear thoughts. Then you will not unconsciously constantly transform everything in your meditations.
In the next part we would like to discuss which types of energy are best used with a crystal and how. The writer is not yet very familiar with this area, so that his vocabulary has gaps that we will skilfully circumvent so that those who know will understand what we mean by it.